Download Digital Video Hacks by Joshua Paul PDF

By Joshua Paul

Because the sunrise of movie, rookies and specialists have used quick-and-dirty workarounds and audiovisual tips to increase their films, from domestic video clips to add movies. this present day, the instruments have definitely replaced, as have the standard and scope of the consequences. With electronic video, the hacking probabilities are actually unlimited, for either amateurs artists. From buying photos, blending, modifying, and including results to ultimate distribution, electronic Video Hacks presents special tips, instruments, and strategies for each degree of video creation. you are going to find out how to:Get your tasks began correct utilizing artistic guidance instruments and techniques,from making your individual steadicam, increase, or dolly to powerful storyboarding, timecoding, and tape labelingTroubleshoot universal taking pictures difficulties, together with utilizing stop-motion and time-lapse ideas, lighting fixtures results, coloured monitors and gels, and loved ones gadgets to set up temper or another way wow an audienceCreate gorgeous visible results, reminiscent of satellite tv for pc zooming, surreal scenes, Matrix-like bullet-time, and eco-friendly display illusionsFool your viewers with audio tips, changing flubbed discussion, smoothing over cuts, and protecting lacking audio with room toneAdd specialist positive factors with post-production tips, together with colour correction, soundtrack cleanup, starting sequences, and DVD bookmarksDistribute ultimate content material in a number of inventive methods, from exporting to easy videotape or DVD to streaming over the web or perhaps through cellphone phoneUse the net to supply interactivity and dynamic content material, attend a distant convention, or vlog your life.Whether you are looking for a brand new strategy to comprise on your subsequent undertaking, an answer to a standard challenge, or simply a bit proposal, this ebook reintroduces you to the electronic video you just inspiration you knew.

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The math breaks down like this: 3 (systems) x 48 (hours) = 144 available digitizing hours Of course, to utilize every hour in the day, you'll either need a lot of caffeine or someone to work a couple of 58 59 graveyard shifts. 2. Determining the amount of storage required. When digitizing your footage, you need to make sure that you have enough drive space available. If you have 100 hours of footage and three available systems, you will need at least 34 hours of available space per system. Considering that one hour of DV footage takes approximately 13 GB of space, you will need about 450 GB of storage per system.

When working on a documentary, or anytime you are attempting to weave a story after footage acquisition, a two-column script might become your only roadmap to successful completion. With such projects, it is important to note both the tape number[Hack #3] and timecode [Hack #48] of the footage you would like to use. A good set of tape logs[Hack #5] will also prove invaluable during this process. Table 1-2 shows an example of what a two-column script looks like, when including tape and timecode information.

For example, if you have recorded 10 minutes of footage, turned off and on your camera, and then notice the timecode is at or near 00:00:00;00, then you have more than likely regenerated timecode. Figure 1-4 shows the timecode displayed on an LCD both before (left) and after (right) cycling the camera off and on. Some video cameras and decks have a feature to generate timecode internally, therefore ignoring any timecode on your tape. This feature is sometimes referred to as Regenerate Time-code.

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