Download Essential Song: Three Decades of Northern Cree Music by Lynn Whidden PDF

By Lynn Whidden

Includes audio CD with over 50 Cree searching songs

Essential tune: 3 many years of Northern Cree Music, a research of subarctic Cree looking songs, is the 1st designated ethnomusicology of the northern Cree of Quebec and Manitoba. the results of greater than twenty years spent within the North studying from the Cree, Lynn Whidden’s account discusses the culture of the searching songs, their meanings and origins, and their significance to the search. She additionally examines women’s songs, and lines the influence of social change—including the advent of hymns, Gospel tunes, and state music—on the music traditions of those groups.

The ebook additionally explores the creation of powwow track into the subarctic and the Crees fight to take care of their Aboriginal heritage—to discover a form of track that, just like the looking songs, can function a non secular consultant and strength.

together with profiles of the hunters and their songs and observed by means of an unique audio CD of greater than fifty Cree searching songs, Essential Song makes a big contribution to ethnomusicology, social historical past, and Aboriginal experiences.

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Extra resources for Essential Song: Three Decades of Northern Cree Music

Example text

The Inuit, northern neighbours of the Cree, acquired from these 31 32 Song and History whalers the button accordion and square dance. The eastern Cree also have knowledge of the accordion, and have developed their own word for a “pushing and pulling instrument”: kashehischbitaakanowiich. Perhaps they learned this instrument from the Inuit as well as from the whalers, because after 1840 the Inuit came regularly to Chisasibi to trade fox furs, seal blubber, and caribou skins. On the west side of Hudson Bay, the Cree may have had less exposure to shipboard music, because the ships were anchored several miles offshore at bay ports such as York Factory.

He sang 15 16 Song and Ceremony his song three times; then finally began to “see,” but in a way that only he could understand (Personal Communication, 1981). The Drum and the Rattle A common feature across the vast Cree lands was the drum, taawahekan. In 1981, elder Roddy Garrick in the northern village of Wabowden, Manitoba (previously a resident of Cross Lake), described seeing a drum made from caribou hide. 2 “A birch tree was bent and using sturgeon bladder, the hide was glued on, both top and bottom,” he recalled.

Unfortunately for the trickster, one duck happened to open his eyes, and then many of the survivors fled. ” This is mentioned to show the custom of interspersing the renditions of the song with short speeches. 2. Densmore noted that Anishnabe singers tried to achieve a vibrato or wavering tone while they sang and that most of these songs would be accompanied by either the drum or the rattle. As we shall see, these are general characteristics of Cree song. In 1994, I recorded a Manitoba teacher of Ojibwe, Charles Beauchamp, singing this song while playing his hand drum, and for fun he changed the syllables yu we he he to quack-quack quack quack!

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